Category Archives: Writings

REVIEW: たそがれ清兵衛 (山田洋次) – The Twilight Samurai (Yamada Yoji)

First Thoughts

Directed by the highly esteemed Yamada Yoji (山田洋次), Twilight Samurai is one of many samurai films set in nineteenth-century feudal Japan. But unlike other films in this genre of Japanese cinema, which tend to be more action epics with lots of fighting, fountains of blood, and overriding themes of good versus evil or honor versus dishonor, Yamada Yoji paints a picture filled with intimate psychological drama that results in an engaging and truly touching movie.

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PAPER: Mishima Yukio’s “Patriotism”

Written in December 2011 Wrote this paper based on my personal interest in Mishima Yukio's works, namely his short story "Patriotism" which he later adapted for film that he wrote, directed, and starred in as the lead role and how both works express Mishima's personal ideals and beliefs.

Mishima Yukio’s “Patriotism”: Of Death, Purity, Honor, and Love

“Patriotism” is known to have been a story of personal significance to author Mishima Yukio, as he had expressed on multiple occasions how much of himself he had thrown into this particular story: “[Patriotism] embodies so many of my qualities as a writer, both the good and the bad.”  The fact that it is also the only work that Mishima handled personally when adapting it for film, as in directed, produced, wrote the screenplay, and starred in as lead actor, is testament to how important it was to him.  The film “Patriotism”, however, is not much of an adaptation in the conventional sense, and more of an expression of Mishima’s personal ideals and beliefs.  Especially in regards to Mishima’s views on the intimate relationship between death and “beauty”, which he considered synonymous with love, sex, and purity.  In both the story and the film, it is clear Mishima wanted to portray the act of seppuku as both “an act of beauty” and a purifying ritual.

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Will You Be Mine? Making Chocolate for Valentine’s Day.

Russell Stover. Godiva. Lindt. It’s hard to beat standards like a box of chocolates as a gift for Valentine’s Day. Even today more than one billion dollars are spent on chocolates for this romantic holiday in the United States alone. In Japan,  it is a tradition for women to give chocolate to men on Valentine’s Day. There are generally two (now three) types of chocolate given: giri-choco (義理チョコ), or “obligatory chocolate,” honmei-choco (本命チョコ), or “true feelings chocolate,” and now recently tomo-choco (友チョコ), or “friendship chocolate.”

While the meaning behind honmei-choco and tomo-choco are pretty self-explanatory, the practice of giri-choco has become an increasingly contentious issue. In some workplaces, giri-choco has even been banned as it compels women to gift chocolate to men and puts them under unnecessary stress; many women have shared that they have often pulled all-nighters on the eve of Valentine’s Day to make enough for all of the men they had to give chocolate to. There have even been cases where the practice has been discouraged as many men have expressed that they do not even want chocolate, especially as it is widely expected for such gifts to be reciprocated a month later on White Day, when it is tradition for men to present gifts to women. As a result, more and more often women have purchased inexpensive candy bars as giri-choco rather than pricey brand-name gifts, fewer still make them by hand. In the case of honmei-choco (and sometimes even tomo-choco), however, many women make these chocolates themselves as it is commonly held that one’s feelings are not true if they are in the form of ready-made, store-bought chocolate.

Why not make a sweet gift like no other yourself this year? By following these simple tips, you can not only tailor your selection of chocolates to your intended’s tastes, but you can also leave an impression that he or she will not forget for quite some time!

Continue reading Will You Be Mine? Making Chocolate for Valentine’s Day.

PAPER: Borrowed Faces

Written in May 2015 Wrote this in order to explore casting issues related to representation of Asian/Asian-American characters (and actors) in both stage and cinema, with particular attention paid to the “whitewashing” trend that has become rather prevalent in film (as well as theater) and seems to have risen out of a desire to replace the deemed more offensive “yellowface”.

Borrowed Faces: The Effect of Whitewashing Asian Roles in Theatre and Cinema

We speak of actors and then of ethnic actors, as though they were of different kinds…If someone said, ‘I saw a terrific white play last night,’ it would sound ludicrous.  Why is it acceptable the other way around?  It is time to recognize all artists as individual artists first, apart from categories that only serve to limit our imaginations.

 – Harry Newman

Though steps have been taken to move away from overtly racist practices such as “yellowface” on stage and in film, a visible lack of Asian or Asian-American representation continues to exist in both media.  When Asian or Asian-American actors are given roles, they usually maintain the same stereotypical ideology that has been dominant for decades.  But more often the presence of minority characters are “whitewashed” out of the cast entirely, a trend that has risen out of an apparent desire to replace the deemed more offensive “yellowface”.  Whether “whitewashing”, however, is indeed better and less offensive than “yellowface” is still questionable.  Although arguments in defense of “whitewashing” rationalize its existence and deny it being a discriminatory practice, it has the potential to be even more damaging than “yellowface” in terms of perpetuating stereotypical representation of Asian or Asian-Americans as well as depriving minority actors of valuable opportunity. Continue reading PAPER: Borrowed Faces

Summertime Dancing Obon in Japan

Obon, the Festival of Lanterns

Every summer, people of all ages and religious backgrounds come together, often dressed in yukata, light cotton summer kimono, to celebrate being alive and honor those who have passed on, known as Obon.

The Obon festival, also popularly known as the “Festival of Lanterns”, is a 500-year-old tradition rooted in Japanese Buddhism belief that ancestral spirits return to their homes from the world of the dead during this particular time of year to be with their families.

Traditionally, families light lanterns to welcome and show their ancestors the way home as well as place offerings in the form of food, drinks, and flowers at their graves. l_1821271 The biggest attraction to Obon celebrations, however is the festive and family-friendly atmosphere filled with music, dance, food and good-natured fun. Usually set in the courtyards, lawns, or parking lots of Buddhist temples, families come together to savor some delicious food from the many stalls, play games, and immerse themselves in the lively rhythm of taiko drums. Continue reading Summertime Dancing Obon in Japan

PAPER: Living Wood and Still Bodies

Written in December 2014 Wrote this after studying the Bunraku and Kabuki theaters, specifically the relationship of influence each theater form has (or had) on the other, from a historical, aesthetic, and performative context.

Living Wood and Still Bodies: Analyzing the Relationship Between Bunraku and Kabuki

When considering the variety of theatre the world has to offer, few have such spectacular a tradition or are as recognizable as the Kabuki and Bunraku theatres of Japan. While historically the two art forms were highly competitive with one another, scholars have argued for one art form being the more or less direct influence of the other for years. Upon studying the historical factors, visual aesthetics, and movement styles of both forms, however, it becomes apparent that discussion of this topic cannot be as clear cut and dry as some of these scholars make it out to be. Continue reading PAPER: Living Wood and Still Bodies